Los Desastres de la guerra: by Francisco Goya

(4 User reviews)   950
Goya, Francisco, 1746-1828 Goya, Francisco, 1746-1828
Spanish
Hey, so I just finished looking through something that's been sitting on my shelf for ages, and wow. It's not a book with chapters, exactly—it's Francisco Goya's series of etchings called 'Los Desastres de la Guerra' (The Disasters of War). Forget any romantic painting of battle you've ever seen. This is the raw, unfiltered aftermath. There's no main character, unless it's humanity itself. The 'conflict' is war, but not the strategy or the glory. It's the horror left behind: the famine, the brutality, the sheer collapse of civilization. Goya made these during the Peninsular War in Spain, and he holds nothing back. It's like he's asking, over and over, 'Is this what we are capable of?' There's no easy answer, just these stark, unforgettable images that punch you in the gut. It's one of the most powerful and disturbing things I've ever seen. You have to experience it, but be ready—it's not an easy ride.
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Francisco Goya's Los Desastres de la Guerra isn't a storybook in the traditional sense. Published after his death, it's a series of 82 etchings created in response to the brutal Peninsular War (1808-1814) and the famine in Madrid that followed. There's no linear plot with a hero's journey. Instead, each image is a brutal, self-contained scene from a national nightmare.

The Story

The 'story' is the collapse of society. The series opens with the grim reality of conflict—citizens fighting soldiers with crude tools, executions, and chaotic violence. It doesn't glorify any side. Then, it plunges into the consequences: widespread starvation, bodies piled in the streets, and the exploitation of the vulnerable. The final images move into allegory, showing a bleak, hopeless world where justice is buried and monsters reign. It's a visual documentary of suffering, from the first spark of rebellion to a despairing look at a broken future.

Why You Should Read It

This is art that refuses to let you look away. Goya isn't interested in painting kings or celebrating victory. He's in the mud and the blood with the victims. What gets me is his focus on the human face—the blank stare of a starving child, the twisted agony of a man being executed, the hollow eyes of a woman searching a corpse. He makes the abstract horror of 'war' painfully specific. It's not about who won, but about what was lost. The captions, like 'I saw this' or 'This is worse,' feel like a direct, furious conversation with the viewer. It’s a brutal, essential reminder of the true cost that history books often smooth over.

Final Verdict

This isn't for a casual bedtime read. It's a challenging, essential experience. Perfect for anyone interested in history, art, or human nature at its most raw. If you've ever wondered how an artist can respond to atrocity, this is the definitive answer. It's also for readers who appreciate graphic novels or photojournalism—Goya was a pioneer of visual storytelling with a conscience. Be warned: it's grim. But its power lies in that unflinching honesty. It's a book you don't just see; you feel it in your bones long after you've closed the cover.



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Ava King
1 year ago

I was skeptical at first, but it challenges the reader's perspective in an intellectual way. Highly recommended.

Aiden Thomas
1 year ago

Great read!

Andrew Davis
7 months ago

I came across this while browsing and the flow of the text seems very fluid. A valuable addition to my collection.

Thomas Lewis
1 year ago

To be perfectly clear, the emotional weight of the story is balanced perfectly. Highly recommended.

5
5 out of 5 (4 User reviews )

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